One of the best romantic comedies of the 1990s, My Best Friend's Wedding not only gave Julia Roberts a delightful vehicle for her crowd-pleasing comeback, but it further distinguished itself by avoiding the conventional plotting of the genre. Julia plays a prominent Chicago restaurant critic whose best friend (Dermot Mulroney) is a former lover from her college days with whom she'd made a binding pact: if neither of them were married by the age of 28, they'd marry each other. Just when they're about to reach the deadline of their agreement, Mulroney arrives in Chicago to introduce Roberts to his seemingly perfect fiancée (Cameron Diaz) and announce their wedding in just three days. That leaves the shocked Julia with just three short days to sabotage the wedding and marry the man she now realises she's loved all along. With potential heartbreak waiting in the wings, she'll either get what she wants or pay the price for her selfish behaviour, and Ronald Bass's cleverly constructed screenplay keeps us guessing to the very end. Rupert Everett scored rave reviews for his scene-stealing performance as Robert's gay friend who goes along with her scheming (but only so far), and even as she makes her character's needy desperation disarmingly appealing, Roberts wisely allows Diaz to capitalise on her charming time in the spotlight. As the romantic outcome remains uncertain, the viewer is held in a state of giddy suspense, and director PJ Hogan pulls off some hilarious scenes (like a restaurant full of people singing the Dionne Warwick hit "I Say a Little Prayer") that could easily have fallen flat in the hands of a less talented filmmaker. It's no surprise that this was one of the box-office smashes of 1997. --Jeff Shannon
In a not too distant future, a totalitarian state secret government organisation controls all aspects of life. All Enemies of the State are executed by a secret group of assassins, who go by a secret code-name which is known only by the state and a few others assigned to the same mission. The best of the assassins is a code-name Condor the perfect weapon of choice. However, in his latest assignment, he fails to kill the opposition leader and finds himself on the run from the very same government agency that hired him.
Michael Douglas stars as a feckless middle aged literary professor struggling to live up to his own successful past and sort out his chaotic present in this ensemble comedy that also stars Tobey Maguire, Frances McDormand and Robert Downey Jr.
Released in 1977, Close Encounters of the Third Kind was that year's cerebral alternative to Star Wars. It's arguably the archetypal Spielberg film, featuring a fantasy-meets-reality storyline (to be developed further in E.T.), a misunderstood Everyman character (Richard Dreyfuss), apparently hostile government agents (long before The X-Files), a sense of childlike awe in the face of the otherworldly, and a sweeping feel for epic film-making learned from the classic school of David Lean. Contributing to the film's overall success are the Oscar-winning cinematography from Vilmos Zsigmond, Douglas Trumbull's lavish effects and an extraordinary score from John Williams that develops from eerie atonality à la Ligeti to the gorgeous sentiment of "When You Wish Upon a Star" over the end credits. Not content with the final result, Spielberg tinkered with the editing and inserted some new scenes to make a "Special Edition" in 1980 which ran three minutes shorter than the original, then made further revisions to create a slightly longer "Collector's Edition" in 1998. This later version deletes the mothership interior scenes that were inserted in the "Special Edition" and restores the original ending. On the DVD: CE3K is packaged here with confusing documentation that fails to make clear any differences between earlier versions of the film and this "Collector's Edition"--worse, the back cover blurb misleadingly implies that this disc is the 1980 "Special Edition" edit. It is not. A gorgeous anamorphic widescreen print of Spielberg's 1998 "Collector's Edition" edit occupies the first disc: this is the version with the original theatrical ending restored but new scenes from the "Special Edition" retained. The second disc rounds up sundry deleted scenes that were either dropped from the original version or never made it into the film at all--fans of the "Special Edition" can find the mothership interior sequence here. The excellent "making-of" documentary dates from 1997 and has interviews with almost everyone involved, including the director speaking from the set of Saving Private Ryan. Thankfully the superb picture and sound of the feature make this set entirely compelling and more than compensate for the inadequate packaging. --Mark Walker
'Yanks' is the moving story of American servicemen stationed in England during the Second World War and the impact that their presence had on the lives of people in a small Lancashire village. This beautifully filmed drama follows three American soldiers and the relationships that they form with three local women: Jean Helen and Mollie. The relationships that blossom would affect their lives forever. This romantic and memorable movie highlights the cultural differences that ex
Robert Powell and Japser Carrott star as a pair of inept detectives who always seem to solve cases despite their amazing levels of incompetence. Developed from sketches in Canned Carrott the show adopts the Dumb and Dumber approach Powell being dumb and Carrott much dumber! Episodes Comprise: 1. What The Butler Saw 2. Hostage 3. Teed Off 4. Acting Constables 5. Studs 6. Strangers In Paradise
One of the best romantic comedies of the 1990s, My Best Friend's Wedding not only gave Julia Roberts a delightful vehicle for her crowd-pleasing comeback, but it further distinguished itself by avoiding the conventional plotting of the genre. She plays a prominent Chicago restaurant critic whose best friend (Dermot Mulroney) is a former lover from her college days with whom she'd made a binding pact: if neither of them were married by the age of 28, they'd marry each other. Just when they're about to reach the deadline of their agreement, Mulroney arrives in Chicago to introduce Roberts to his seemingly perfect fiancée (Cameron Diaz) and announce their wedding in just three days. That leaves the shocked Julia with just three short days to sabotage the wedding and marry the man she now realises she's loved all along. With potential heartbreak waiting in the wings, she'll either get what she wants or pay the price for her selfish behaviour, and Ronald Bass' cleverly constructed screenplay keeps us guessing to the very end. It's no surprise that this was one of the box-office smashes of 1997. --Jeff Shannon, Amazon.com On the DVD: My Best Friend's Wedding is presented in 2.35:1 anamorphic widescreen and there is very little grain or noise, the only blurring coming from those soft focus moments. There are two "making-of" documentaries, one produced by HBO and the other a general behind the scenes mix of fly on the wall footage and interviews with cast and crew. Masquerading as helpful hints for the soon to be wed there's also a short featurette called "Wedding Do's and Don'ts". You can also sing along with one of the film's more bizarre moments; the fish restaurant rendition of "Say a Little Prayer", check out the pictures in the wedding album and read the filmographies. --Kristen Bowditch
Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis. When Morlar is viciously assaulted and left for dead the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing complex...
The Battle Of River Plate - Ten days before World War II Germany's crack battleship Admiral Graf Spee sails with orders to carry out action against Allied merchant shipping in the South Atlantic. Captained by Hans Langsdorff (Peter Finch) Graf Spee with her superior speed sinks ship after ship. Meanwhile the net is tightening round the German Killer. Outwitted by British Intelligence the Germans are convinced Graf Spee is trapped by a massive naval force. The captain eva
Wilde could easily have been nothing more than another well-dressed literary film from the British costume drama stable, but thanks to a richly textured performance from Stephen Fry in the title role, it becomes something deeper--a moving study of how the conflict between individual desires and social expectations can ruin lives. Oscar Wilde's writing may be justifiably legendary for its sly, barbed wit, but Wilde the film is far from a comedy, even though Fry relishes delivering the great man's famous quips. It takes on tragic dimensions as soon as Wilde meets Lord Alfred Douglas, known as Bosie, the strikingly beautiful but viciously selfish young aristocrat who wins Oscar's heart but loses him his reputation, marriage and freedom. Fry is brilliant at capturing how the intensity of Wilde's love for Bosie threw him off balance, becoming an all-consuming force he was unable to resist. Jude Law expertly depicts both Bosie's allure and his spitefully destructive side, there are subtle supporting performances from Vanessa Redgrave, Jennifer Ehle and Zoe Wanamaker, and the period trappings are lavishly trowelled on. But this is Fry's show all the way: from Oscar the darling of theatrical London to Wilde the prisoner broken on the wheel of Victorian moralism, he doesn't put a foot wrong. It feels like the role he was born to play. --Andy Medhurst
Marion Crane is a Phoenix, Arizona working girl fed up with having to sneak away during lunch breaks to meet her lover, Sam Loomis, who cannot get married because most of his money goes towards alimony.
Close Encounters Of The Third Kind is a mesmerizing movie about earth's encounter with spaceships and alien beings as experienced by one ordinary man.
Anybody who has written him off because of his string of stinkers--or anybody who's too young to remember The Goodbye Girl --may be shocked at the accomplishment and nuance of Richard Dreyfuss's performance in Close Encounters of the Third Kind. Here, he plays a man possessed; contacted by aliens, he (along with other members of the "chosen") is drawn toward the site of the incipient landing: Devil's Tower, in rural Wyoming. As in many Spielberg films, there are no personalized enemies; the struggle is between those who have been called and a scientific establishment that seeks to protect them by keeping them away from the arriving spacecraft. The ship, and the special effects in general, are every bit as jaw-dropping on the small screen as they were in the theater (well, almost). Released in 1977 as a cerebral alternative to the swashbuckling science fiction epics then in vogue, Close Encounters now seems almost wholesome in its representation of alien contact and interested less in philosophising about extra-terrestrials than it is in examining the nature of the inner "call." Ultimately a motion picture about the obsession of the driven artist or determined visionary, Close Encounters comes complete with the stock Spielberg wives and girlfriends who seek to tether the dreamy, possessed protagonists to the more mundane concerns of the everyday. So a spectacular, seminal motion picture indeed, but one with gender politics that are all too terrestrial. --Miles Bethany, Amazon.com
Cameron Diaz and Toni Collette headline this romcom based on Jennifer Weiner's chick lit novel.
Whilst investigating a plane crash a government official meets a strange woman but the next day the woman vanishes. Her identity is entwined with the strange object found at the crash site for which she returns only to then vanish once more...
The Fast Lady team rides again! The newlywed Munroes purchase a rundown ramshackle cottage and plan to fix it up themselves primarily to escape their meddling father. However they haven't appreciated the scope of the work required to get the place up to scratch.. They have no choice but to seek outside help. When Builder Josh Wicks arrives on the scene the bills start going through the roof... Written by Henry Blyth (The Bulldog Breed) and Jack Davi
Opera in three acts produced live at the Metropolitan Opera on 7 November 1977.
Paul Reynolds is a Gatsby-like figure: owner of a magnificent house a host of great parties and a collector of interesting people. He persuades Lizzie Thomas a secretary in a local estate agent to come and work for him as his assistant to bring some order to his chaos. He inspires her with his enthusiasm and imagination and frustrates her with his apparent carelessness and destructiveness which culminates in her calling the police as a great party is turned over by local troubl
Noel Coward's great British war film made at the height of World War II in 1942 tells the story of a naval destroyer and its crew as they fight for their lives in a life raft after their ship is sunk.
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